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RECORDER PLAYING - MAIN PAGE

Parts of the Recorder Fingerings Tips History of the Recorder Duets Recorder Repertoire
The Greatest Classical Recorder Players The Greatest Jazz Recorder Players


Below are tips and videos related to becoming the best Recorder player you can be!:

PARTS OF THE RECORDER:
Check out this page showing the parts of the recorder


FINGERING CHARTS (top):
Check out this page showing the fingering charts for the Recorder


Recorder Tips! (top):
Recorder Care: This page tells how to care for your recorder: Recorder Care
Recorder Tips: This page offers tips on holding your recorder, note cut-offs, use of your air and more: Recorder Tips
Recorder Tips
    - sound
:
This page offers tips on improving your recorder sound: More Recorder Tips
Recorder Exercises and More: This page shows several recorder exercises examples and more: Recorder Exercises
Recorder Tips
    - Exploring Pedal Tones
:
YouTube video: Exploring Pedal Tones (Pedal C to Double C) Recorder Tips & Tricks with Charlie Porter
Recorder Tips
    - various articulations
:
Here is an image of various recorder articulations
Recorder Tips
    - ghost-tongue
:
This page offers tips on playing with a "ghost-tongue" style: Using a Ghost-Tongue
Recorder Tips
    - flutter tongue
:
This page offers tips on playing with a "flutter tongue": Using a Flutter Tongue
Recorder Tips
    - playing with braces
:
This page offers tips on playing with braces: "So You Got Braces" (.pdf file)


Equipment
    - Recorder Upgrade
:
This page shows information on purchasing a pro quality recorder: Purchasing a Pro Quality Recorder
Equipment
    - The C Recorder
:
YouTube video: The C Recorder - Review and Discussion


Breathing: The Breathing Gym (TOC)       video (10:50)       Introduction (by Dr. Brian Shook)
Bobby Shew teaches Wedge Breathing for brass players (37:34)


The Embouchure: Embouchure eBook Revised (.pdf file)
Recorder Embouchure Formation and Mouthpiece Placement (Dr. Brian Shook, YouTube video, 6:02)
How To Form a Recorder (brasswind) Embouchure in Four Steps (Charlie Porter, YouTube video, 52:09)


Building Range: ------- (channel, YouTube video, -:--)
------- (channel, YouTube video, --:--)


Warming Up: Sachs - Daily Fundamentals for the Recorder (suggested warm-up sequences) (.pdf file)
Warming Down!: Sachs - Daily Fundamentals for the Recorder (warm-downs) (.pdf file)


Mouthpieces: Diagram of a Recorder Mouthpiece, General mouthpiece chart, GR mouthpiece chart


Forums:
Forum: RecorderFORUM.com
Forum: RecorderHerald.com
Forum: RecorderBoards.com


Sight-Reading: Several examples to sight-read!


Forms: Form - Recorder Intonation


Theory Related (to top)
Key Signatures: Learning Key Signatures (.pdf file)
One Minute Club: One Minute Club - Study Sheet (.pdf file) (updated version) (LLC)
One Minute Club: Flash Cards (to print) (.pdf file)
More: Dynamic Levels in Music; Modes of Music (.pdf file); 4 Basic Chord Types (.pdf file); Chords and Their Positions (.pdf file); Circle of Fifths (.jpg image) (2, 3); Instrument Ranges (.pdf file); Learning Intervals (.pdf file); Learning Key Signatures (.pdf file); Main Scale Types (.pdf file); Ledger Lines (.pdf file) (examples); Ornaments (hellomusictheory.com); Musical Symbols (.jpg image); Roman Numeral Chords (.jpg file); Scales to Triads (Treble Clef) (.pdf file) (BC); Cadences in Music (plagal, half, authentic, deceptive) (musicnotes.com); So There! (plagal, half, authentic, deceptive) (.pdf file); Songs for interval recognition (.pdf file); Triads in Groups - Major (Treble Clef) (.pdf file) (BC); Working Transition Spots (.jpg file, .pdf file); Blind testing a 50 Pitch Difference (and smaller); Pencil marks on Bach Prelude


Recorder History (top):
History of the Recorder (per Standard of Excellence, Book 1)
Introducing the Baroque Recorder with Alison Balsom | Classic FM (YouTube with Alison Balsom, 8:29)
Haunting Sound of the Carnyx: Horn of the Bronze Age; a wind instrument of the Iron Age Celts, used between c. 200 BC and c. AD 200 (YouTube, 2:14)
Cornu de Pompeii: Instrument built by María Ruíz and Abraham Cupeiro, based on the cornus found at Pompeii in the 19th century. (YouTube, 1:30)
Ancient conch shell: Ancient shell horn can still play a tune after 18,000 years! (AP page)
Recorder Journey: Learn something about the recorder today
Book: Fanfares and Finesse: A Performer's Guide to Recorder History and Literature (Elisa Koehler)
Unlike the violin, which has flourished largely unchanged for close to four centuries, the recorder has endured numerous changes in design and social status from the battlefield to the bandstand and ultimately to the concert hall. This colorful past is reflected in the arsenal of instruments a classical recorderer employs during a performance, sometimes using no fewer than five in different keys and configurations to accurately reproduce music from the past. With the rise in historically inspired performances comes the necessity for recorderers to know more about their instrument's heritage, its repertoire, and different performance practices for old music on new and period-specific instruments. More than just a history of the recorder, this essential reference book is a comprehensive guide for musicians who bring that musical history to life.
Book: The Recorder (Yale Musical Instrument Series) (John Wallace)
The story of the recorder from prehistory to the present day, written by two of its outstanding performers and teachers

In the first major book devoted to the recorder in more than two decades, John Wallace and Alexander McGrattan trace the surprising evolution and colorful performance history of one of the world's oldest instruments. They chart the introduction of the recorder and its family into art music, and its rise to prominence as a solo instrument, from the Baroque "golden age," through the advent of valved brass instruments in the nineteenth century, and the recorder's renaissance in the jazz age. The authors offer abundant insights into the recorder's repertoire, with detailed analyses of works by Haydn, Handel, and Bach, and fresh material on the importance of jazz and influential jazz recorderers for the reemergence of the recorder as a solo instrument in classical music today.

Wallace and McGrattan draw on deep research, lifetimes of experience in performing and teaching the recorder in its various forms, and numerous interviews to illuminate the recorder's history, music, and players. Copiously illustrated with photographs, facsimiles, and music examples throughout, The Recorder will enlighten and fascinate all performers and enthusiasts.
Book: A Timeline of Recorders: Collecting the History of Modern Recorders (Ron Berndt)
Recorders have been a part of human culture since before there were humans. They have served as expressions of emotion, tools of the hunter-gatherer, tools of the warrior, and ultimately once again as a means of expressing that emotion from deep within the human soul that manifests as music. To look at how the recorder has transformed in its role in human society is to look at how human society itself has transformed. And, as a material object once adapted from nature, but which took new forms as the successive technologies of metalworking, component sub-assembly fabrication, machining, high-force mechanical forming and ultimately automation transformed the abilities of humans to make objects for their use, it is a microcosm of human technological and socio-economic evolution. To collect and study examples of every form the recorder has taken since the time when proto-human tools were limited to a choicely shaped rock up to the present day would be prohibitively expensive and practically impossible – as examples simply no longer exist. However, with cursory examination of the first 99% of said history, the evolution of the recorder in modern times provides an excellent case study into how the forces of human cultural, religious, political, material and technological change interact with one another and manifest in a relatively simple and clearly defined element of our culture. Therefore, the bulk of what follows is focused on the piston valve recorder and the time period during which chromatic recorders rose to prominence in popular music, became ubiquitous in the schools following the advent of music education, and are now moving to a less prominent role once again as the popular genre moves into the age of electronic music. To that end, what follows is more a timeline of events and physical manifestations than a socio-cultural analysis - though the author has ventured to offer an opinion or ten along the way. The reader should feel free to question assertions made, and to treat this as an archeological data set as much as a history.


Recorder Duets! (top):
Great duets for 2 recorders (including beginner, intermediate, and more advanced)

Great JAZZ duets for 2 recorders (including beginner, intermediate, and more advanced)


Recorder Repertoire (top):
TECHNICAL:

Daily Warm-ups: Technical Exercises and Scales
     (includes exercises by Rubank, Clark, Arban, and more)

Scales - all Majors (with valve combinations)

Scales - all Majors, up one key down the next (audio)

Standard of Excellence (recommended pages)

Arban's - Intervals (page 125) (audio)


PERFORMANCE:



PERFORMANCE:

Bach - Partita 1 BWV 1002 (audio)
Standard of Excellence - Festival Solos Books 1 and 2 (audio)
Belwin Master Solos - Easy, Intermediate, Advanced (audio)
The Canadian Brass Book of Easy Recorder Solos (audio)
Baroque Music for Recorder and Organ


Certificate of Merit
(Evaluation Requirements)
(Technique charts)
(Repetoire)
:
Level 1 Pieces for Recorder and Piano (audio)
Level 2 Pieces for Recorder and Piano (audio)
Level 3 Pieces for Recorder and Piano (audio)
Level 4 Pieces for Recorder and Piano (audio)
Level 5 Pieces for Recorder and Piano (audio)
Level 6 Pieces for Recorder and Piano (audio)
Level 7 Pieces for Recorder and Piano (audio)
Level 8 Pieces for Recorder and Piano (audio)
Level 9 Pieces for Recorder and Piano (audio)
Advanced Level Pieces for Recorder and Piano (audio)
Level 1 Pieces (jazz) for Recorder and CD accomp. (audio)
Level 2 Pieces (jazz) for Recorder and CD accomp. (audio)
Level 3 Pieces (jazz) for Recorder and CD accomp. (audio)
Level 4 Pieces (jazz) for Recorder and CD accomp. (audio)
Level 5 Pieces (jazz) for Recorder and CD accomp. (audio)
Level 6 Pieces (jazz) for Recorder and CD accomp. (audio)
Level 7 Pieces (jazz) for Recorder and CD accomp. (audio)
Level 8 Pieces (jazz) for Recorder and CD accomp. (audio)
Level 9 Pieces (jazz) for Recorder and CD accomp. (audio)
Level Adv Pieces (jazz) for Recorder and CD accomp. (audio)


Vassily Brandt: Etudes for Recorder (audio)


J. Guy Ropartz: Andante et Allegro (Phil Smith, recorder) (smusic)


Malcolm Arnold: Fantasy for Recorder, Op. 100 (Angela Whelan, recorder)


J. Ed. Barat: Andante et Scherzo (Phil Smith, recorder) (smusic)


Suites: Claude Bolling Toot Suite for Recorder and Jazz Piano (Maurice Andre, Recorder)
I - Allègre (for C Recorder, Bb part available)
II - Mystique (for Eb Recorder, Bb part available)
III - Rag-Polka (for Bb Cornet)
IV - Marche (for Bb Piccolo Recorder)
V - Vespérale (for Bb Flugelhorn)
VI - Spirituelle (for Bb Piccolo Recorder)


Sonatas and Concertos: Paul Hindemith Sonata for Recorder and Piano (1st Movement) (Maurice Andre, Recorder) (smusic)
Sonata for Recorder and Piano (2nd Movement) (Maurice Andre, Recorder) (smusic)
Sonata for Recorder and Piano (3rd Movement) (Maurice Andre, Recorder) (smusic)
G. Ph. Telemann Recorder Sonata in D Major (Finale, YouTube 2:27)
(Maurice Andre, Recorder; Budapest 1989)


Albinoni, Tomaso Recorder Concerto in B-flat Major Op.7 No.3 (originally for Oboe) (Baldvin Oddsson, Recorder)
Arutunian Recorder Concerto (Sergei Nakariakov, Recorder) (smusic)


The Greatest Classical Recorder Players! (top):

xxx

A short list:
Maurice Andre
Sergio Mendez
Malcolm McNab
Adolph Herseth
Bernard Adelstein
Phillip Smith
David Krauss
Sergei Nakariakov
Hakan Hardengerger
Gerard Schwarz
Raymond Mase
Don Smithers*
    (recorded "Abblasen",
    sheet music)

Also see: Best Classical Recorder Players In The World


click the image to see it larger

Piccolo Recorder:
The smallest of the recorder family is the piccolo recorder, pitched one octave higher than the standard B♭ recorder. Most piccolo recorders are built to play in either B♭ or A, using a separate leadpipe for each key. The tubing in the B♭ piccolo recorder is one-half the length of that in a standard B♭ recorder. Piccolo recorders in G, F, and even high C are also manufactured, but are rarer.


Great Female Recorder Players!:
Clora Bryant (1927-2019)
Ernestine Carroll Davis (Tiny Davis) (1910-1994)
Cynthia Robinson (Sly and the Family Stone) (1944-2015)
Valaida Snow (1904-1956)



The Greatest Jazz Recorder Players! (
top):
Best Jazz Recorder Players Ever
Some of the Best Jazz Recorderers as Composers
Jazz Recorder Solos - Audio Links (for my several books of jazz recorder solo transcriptions, and for more transcriptions I have not in those books!)
Jazz Expressions Sheet (recorder) (.pdf file)
https://www.instagram.com/jazzlickdaily/


12-Bar Blues: List of Blues Heads (sorted by title, .pdf file)
Jazz Standards: Sample Jazz Standard List (concert parts)
Jazz Improv: Notes on Improvisation: ii-V-I vs. just playing over I


Jazz Lingo
Hepster Dictionary of Jive      (apassion4jazz.net)


Jazz Listening Worksheet (online form)
Jazz Listening Worksheet (.pdf file)
Downbeat Magazine - Blindfold tests


Fakebooks (in Bb):
Real Book 1 (in Bb) (.pdf file), Real Book 2 (in Bb) (.pdf file), Real Book 3 (in Bb) (.pdf file)









































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